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Okategoriserade

Working with Drama Students is Something Teaches Me a lot about Body, and Performativity in Everyday Life

I am a teacher in physical theatre, burlesque, drag, and performance art at the 1-year drama program in Sigtuna Folkhögskola. My focus, in line with my academic studies in techno feminist technoscience and post-humanism, relates to bodily expressions and face (mask) as artistic instruments in how to communicate on stage. Additionally, how we perform in everyday life bears a resemblance to theatrical acting, as I draw on aspects of “performativity” from sociologist Erving Goffman and Judith Butler. My intention is always to bring awareness to how we continuously perform in intra-action with other human or non-human agencies that surround us. Even in our dreams, the performance continues in the form of the rich inner myriad of personas that enter the dreamscape stage to communicate with us, and through us to the outer world. 

This year’s class at Sigtuna presented a beautiful variety of numbers that were seamlessly woven together into the Kinky Winky Cabaret. The students felt happily high afterward, surprised by what they had created together as a group and individually to try out their very own expression on stage without following either script or the instructions of a director. This was true play, giving bliss to both performers and spectators. How we had missed collectively indulging in physical presents and bodily expressions throughout these years of the corona famine.

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Media

Riding In the Intor of Sweden’s

EUROVISION SONG CONTEST

It’s an honor to open Melodifestivalen (Mello) 2022, where I will ride on my PRE (Spanish) horse Jazmin with the Mello Trophy, through the landscapes of Sweden, to start off Sweden’s competitions for the Eurovision Song Contest. Jazmin and I have performed in various settings before, e.g. the opening of Cinema Queer‘s film festival in a circus tent in Stockholm, at the musical festival Gagnef Festivalen, riding through Stockholm City for Swedish/American artist Michele Pred’s art performance Radical Love Parade, and more. You can watch us riding in Mello at SVT Play: https://www.svtplay.se/video/33836762/melodifestivalen-2022/melodifestivalen-2022-deltavling-1-5-feb-20-00.

Categories
AI

ARISE AMAZONS 2.0 –The Green Theory

The ceremony was performed in Nackareservatet September 18th, 2021

It could not be described with justice through my words…

Instead, I will let the images give a glimpse of the magic that was created in the urban woodland by the artists, horses, and other human or non-human participants. Or, as a woman posted on her Facebook wall.

“Last Saturday an event appeared in my feed and even though I wasn’t sure what it was, the event text intrigued me to go there. Fredrik and Björn wanted to go aswell. Not really knowing what we would see or experience we went there with a curious mind.

It was an art piece in the forest, where the creators had designed different rooms, everything from talk about grieving to tree climbing. It ended with us all gathering around a fire, and together we created a soup of the most basic ingredients but with a piece from everyone who was there. There was so much happening, and so much to write but I’ll just let the images do the talking.

It is called Arise Amazons – The Green Theory and the creative minds behind the event are the two women Rebecca Tiger and Karin Victorin.” (Isabelle Edlund, a woman I don’t know)

The art project received cultural funding from Stockholm Stad, Nacka Kommun, Kulturrådet och Konstnärsnämnden.

The Oracle
Cyborg Goddess
Pepper Potemkin
The Green Goddess
The Priestex
The Horse Caller
Ahkbar The Fire Keeper Preparing the Ceremonial Soup
The Heart Beat – Toni Sauna
The Unicorn
The Horse Receives the Soup
The Choir
Acting For Climate
Acting For Climate Flying Between The Trees
Grebnellaw with the Megaphone
The Medicine Wheel

Categories
AI Okategoriserade

AI as Gatekeepers to the Job Market

2021, so far, has been a freakin Wild Ride where I feel motivated and challenged to dare new adventures in my work and art. In this first blog post on the website of my new company, I am happy to announce that I have just completed and published a second master’s thesis on the topic of social robots and society. In spite of corona, I finally managed to push through – to continue writing – no matter what the obstacle and present a critical reading of the current phenomenon of using AI and chatbots in hiring processes. Many thanks to my supervisor professor Ericka Johnson at Linköping University for the dynamic feedback and support in the process.

https://liu.diva-portal.org/smash/record.jsf?pid=diva2%3A1572100&dswid=-4966

Abstract

The topic of this thesis is AI recruitment chatbots, digital discrimination, and data feminism (D´Ignazio and F.Klein 2020), where I aim to critically analyze issues of bias in these types of human-machine interaction technologies. Coming from a professional background of theatre, performance art, and drama,I am curious to analyze how using AI and social robots as hiring tools entails a new type of “stage” (actor’s space), with a special emphasis on social acting. Humans are now required to adjust their performance and facial expressions in the search for, and approval of, a new job. I will use my “theatrical glasses” with an intersectional lens, and through a methodology of cultural analysis, reflect on various examples of conversational AI used in recruitment processes. The silver bullet syndrome is a term that points to a tendency to believe in a miraculous new technological tool that will “magically” solve human-related problems in a company or an organization. The captivating marketing message of the Swedish recruitment conversational AI tool – Tengai Unbiased – is the promise of a scientifically proven objective hiring tool, to solve the diversity problem for company management. But is it really free from bias? According to Karen Barad, agency is not an attribute, but the ongoing reconfiguration of the world influenced by what she terms intra-actions, a mutual constitution of entanglement between human and non-human agencies (2003:818). However, tech developers often disregard their entanglement of human-to-machine interferences which unfortunately generates unconscious bias. The thesis raises ethical questions of how algorithmic measurement of social competence risks holding unconscious biases, benefiting those already privileged or those acting within a normative spectrum.